Writing Groups NZ: Otago Writers' Network

Today I'm chatting with Jane Woodham about the Otago Writers' Network.

Otago Writers' Network

What is the Otago Writers' Network?
The Otago Writers' Network is a website designed to help put writers in contact with either existing writing groups or with other people looking to start up a new writing group.


Who started it? (And when)
It was started by the members of Kath Beattie’s Writing Group in 2017, and came about almost by accident.

We wanted to celebrate the fact that we had been together as a writing group for twenty-four years. Claire Beynon came up with the idea of showcasing the group’s work on a web-site. Then someone mentioned how nice it was to hear the writer read aloud their work, and words like podcasts and MP3 files started to get thrown about. As newest group member I volunteered to run with the idea and apply for funding from the DCC Community Arts Grants. A requirement of the grant is that there is community involvement. We knew Kath was often contacted by writers looking for a writing group, so we thought why not use the website to help writers find existing groups and where necessary create new ones.

What’s been the hardest aspect of launching the OWC?
It took quite a bit of organising, but eventually things fell into place. In order to record our writers’ voices we needed to find a sound engineer and Claire suggested Danny Buchanan, husband of Caroline Davies, the creator of the wonderful Down In Eden on-line magazine. While looking for a recording studio Danny asked Otago Access Radio if we could use their facilities. They came up with the idea of recording a 15-part radio series, which we could then link to our website and use for MP3 files. Lastly we got help from Yvonne Sommer from clickdesign.co.nz to help put together the website.

The most nerve-wracking thing was recording the actual radio series. Luckily for us Danny said he’d help, so he did the technical stuff while we read our work and interviewed one another. I’d warned each member we’d need about 24 minutes of material, including a reading and an interview, as well as a couple of pieces of music. We had two days in which to record 15 hours of radio.  Not to put too fine a point on it, half our group are over seventy. Websites and podcasts leave them cold, but as soon as I mentioned a radio series their eyes lit up. I asked them to pair themselves up, and drew up a timetable. Danny and I weren’t sure we could get it all done in two days, but crossed our fingers and waited.  We were gobsmacked. Along everyone came, clutching their pieces of paper, on time and fully prepared, and we were done in half the time. They were so professional.

We launched the website at the Dunedin Writers and Readers Festival in May 2017. There being twelve of us present that day we worried the panel might outnumber the audience, but the Dunningham Suite was packed. One by one the group spoke about their experience of being in a writing group, about what they felt they had gained and why they recommended others to join or create their own groups. It was a magical afternoon. I was very proud to be part of that group.

What it is you hope to achieve with the OWN?
A strong network of writing groups across Otago. Not just generic writing groups, but also specific groups, ie groups for people who write for children, or groups for self-publishers, or groups for male writers … why belong to just one group when you can belong to several?

How can other Otago writers become involved?
On our website is a page that lists the writing groups within Otago HERE. If you are looking to join a writing group, that is a good place to look for one.

If you’re not sure which is the best group for you, contact us by completing the form on the Contact Us page and we will suggest a group. 

If you can’t see a group there that appeals to you, you might wish to start your own, in which case we could list it.

If you belong to a writing group that is not listed, let us know and we will add you to our list. We have created one new group, and added many writers to existing groups.

We nearly started a men’s group, but so far that has failed to materialise.

Another way to meet other writers is at the NZSA Salon, which is held every second Monday of the month at the Athenaeum Library, in the Octagon. Paddy Richardson and I are on the committee. Members of our first new writing group ‘Black Ink’ have read for us, as have members of Dunedin Writers’ Workshop, Writing Dunedin and Kath’s Writing Group. It’s a great place for new writers to practice the art of reading their work aloud, as well being somewhere you can listen to the experts, last year we had Scottish writers Lesley Glaister and Andrew Greig, this October we have former poet laureate Jenny Bernholdt with Greg O’Brien and our very own Claire Beynon.

Thank You so much Jane, for telling us all about the OWN and its creation, and I encourage you all to visit the website of the Otago Writers' Network

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Twister by Jane Woodham

Jane Woodham, is the author of Twister, a Dunedin-based crime novel published by Rosa Mira Books in 2015 and in 2016 was a finalist in the Ngaio Marsh First Book Awards.

Author Interview: Lennard Gillman

I was approached recently by Adrienne Charlton of AM Publishing after a recent collaboration rebranding book covers for Vicky Adin, to help with a fantasy cover design for New Zealand author Lennard Gillman.  

 
Accipitri and the battle for Heliosa by Lennard Gillman, cover designer Kura Carpenter
Accipitri and the battle for Heliosa - Lennard Gillman




Accipitri and the battle for Heliosa is Lennard Gillman’s debut novel, and today I'm interviewing him about the novel and his journey into self-publishing.

Hello and Welcome, Len,

  • Please tell us a little bit about yourself:
I have climbed in many parts of the world, camped on beaches, mountain tops, Arctic glaciers in Baffin Island and the Ross Ice Shelf in Antarctica. I am Head of Science at Auckland University of Technology (AUT) and a Professor of Biogeography. My work as a scientist has taken me to the hot deserts of Namibia and Australia and to the Dry Valleys of Antarctica where I have flown drones to map protected areas. I also have a keen interest in conservation and sustainable development. I have worked as a conservation manager in the past and I am on the AUT Sustainability Task Force. I live in Laingholm on the fringe of the Waitakere Ranges, southwest of Auckland and have three wonderful children and a beautiful partner.

  • What is your novel Accipitri and the Battle for Heliosa about?
It is about a boy (Ferobellus) and a girl (Tess) struggling against a harsh mountainous wilderness and a king who wants to annihilate a neighbouring kingdom. It is also about the development of relationships and respect among people with different behaviours and abilities. Tess is strong-willed, resourceful, and an expert archer while Ferobellus is fit and skilled at surviving in the wilderness, but they both have their weaknesses. It is set in a fictional land in the southern hemisphere approximately 1000 years in the past. The genre is low fantasy because of its fictional setting but it is nonetheless grounded in reality. The novel brings together medieval European and African cultures in a landscape that draws on a prehumen New Zealand.

  • What sort/age of readers would most enjoy it?
Eight to thirteen year-old boys and girls, although adults appear to enjoy it too.

  • I believe Accipitri and the Battle for Heliosa is set in a pre-industrial age, did you do a lot of research into earlier civilisations, or prefer to make things up?
Yes, I did do a fair amount of research but I also had the freedom to create unique cultures and an entirely unique continent. The landscapes and situations, such as the 3000-foot descent down a vertical granite escarpment, are derived from my personal experience in the mountains and so it should be possible for people to enact them. I would like to challenge a couple of modern climbers to repeat the feats of Tess and Ferobellus on a similar rock face using the equipment described in the story.

  • What type of magic/technological is there which is unique to your world?
My story is different because there are no magical powers or unrealistic abilities. The technology is of the middle ages and faithful to the reality of that time. It is the mixture of cultures and the setting that makes my world unique.

  • Where did the idea for the story come from?
I invented the overall plot and then got inside the heads of my characters and acted it out.

  • Which character do you most identify with and why?
I think I identify equally with most of the main characters but I like Tess best because she is the most complex and conflicted character.

  • Why did you decide to venture into self-publishing?
Just for fun. I find fiction relaxing and a nice contrast to scientific writing.

  • What tips would you give to others considering self-publishing that you wished you knew when you started?
I don’t think I have any pearls of wisdom other than to get a good editor and artist for the cover – I could not have done it without Adrienne Charlton and Kura Carpenter.

  • Where can we buy your books?
Email: lennardgillman@gmail.com NZ$19.50 plus postage.

 

Calling New Zealand Poets

If you're a New Zealand writer/poet you'll be thrilled to hear the annual 'Poems in the Waiting Room' Poetry Competition for 2017 is now open.
You've got until the 28th of February to submit.
Read the full set of Conditions of Entry on the Poems in the Waiting Room website.


Poems in the Waiting Room 2017 Poetry Competition Poster designed by Kura Carpenter